翻訳と辞書
Words near each other
・ Then & Now (The Jets album)
・ Then & Now... The Best of The Monkees
・ Then (Brad Paisley song)
・ Then (Misako Odani album)
・ Then (The Charlatans song)
・ Then Again
・ Then Again (John Farnham album)
・ Then Again (Paul Haig album)
・ Theme from Mahogany (Do You Know Where You're Going To)
・ Theme from New York, New York
・ Theme from Picnic
・ Theme from S-Express
・ Theme from S.W.A.T.
・ Theme from San Francisco
・ Theme from Shaft
Theme from Star Trek
・ Theme from The Dukes of Hazzard (Good Ol' Boys)
・ Theme from Z-Cars
・ Theme Hospital
・ Theme in Seven
・ Theme music
・ Theme Music from "The James Dean Story"
・ Theme Music Institute
・ Theme of Secrets
・ Theme of Sirmium
・ Theme of the Traitor and the Hero
・ Theme Park (disambiguation)
・ Theme Park (video game)
・ Theme Park Hotel
・ Theme Park Inc


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Theme from Star Trek : ウィキペディア英語版
Theme from Star Trek

"Theme from ''Star Trek''" (originally scored under the title "Where No Man Has Gone Before") is an instrumental musical piece written by Alexander Courage for ''Star Trek'', the science fiction television series created by Gene Roddenberry and originally aired between September 8, 1966, and June 3, 1969.
==History==
The music was played over both the opening and closing credits of the original series. The opening credits begin with the now-famous "Space: the final frontier" monologue recited by series star William Shatner, accompanied by an opening fanfare. The main theme begins, punctuated at several points by the ''Enterprise'' flying toward and past the camera with a "whoosh" sound for dramatic effect, created vocally by Courage himself. A slightly longer version of the theme, minus the fanfare, was played over the closing credits, which were overlaid on a series of stills from various episodes.
Courage has said his inspiration for the main part of the theme was the Richard Whiting song "Beyond the Blue Horizon", giving him the idea for a song which was a "long thing that...keeps going out into space...over a fast moving accompaniment."
The unaired pilot "The Cage" used a wordless rendition of the melody line, sung by soprano Loulie Jean Norman with flute and organ, over an orchestral arrangement. When originally written (and as heard in "The Cage"), Courage had Norman's vocalizations and the various instruments mixed equally to produce what Courage described as a unique "'what is ''that'' that I'm hearing?' sound." According to Courage, however, Gene Roddenberry had the mix changed to bring up the female vocal, after which Courage felt the theme sounded like a soprano solo. Finally, for the third season it was remixed again, this time emphasizing the organ.
Producer Herbert Solow recalled that Norman had been hired under a Screen Actors Guild agreement and would receive rerun fees for her part in the theme. For the second season onwards, her vocalization was dropped from the theme. Solow regretted the choice and composer Courage was not informed until twenty-seven years later.
The second unaired pilot episode used an entirely different theme (''Star Trek'' was the first series in American television history for which a network, NBC in this case, requested and paid for a second pilot episode) although this, too, was composed by Alexander Courage. Re-edited for time and then aired, the second pilot episode returned to the original theme and in only the first several episodes, sans all vocals, was a concerto-like solo of an electric violin playing the melodic line. Also the very well known overdubbing by William Shatner was not present in this aired second pilot; it was music only for "Where No Man Has Gone Before."
In 2006, CBS began syndicating a "remastered" version of the series with numerous changes, including a re-recording of the theme music, which was used for all episodes of the series. Elin Carlson, a professional singer and lifetime ''Star Trek'' fan, re-recorded Norman's vocalization.
Over time, the show's theme music has become immediately recognizable, even by many people who have never seen the program. Portions of the original theme have been used in subsequent ''Star Trek'' series' and motion pictures. For 1979's ''Star Trek: The Motion Picture,'' scored by Jerry Goldsmith, Alexander Courage provided additional cues featuring his theme, where it softly accompanies the "captain's log" scenes. Dennis McCarthy reused the original theme's fanfare when he reworked Goldsmith's main theme for use as ''Star Trek: The Next Generation's'' theme music, where the fanfare precedes Goldsmith's theme. Most of the subsequent ''Star Trek'' motion pictures' main title themes start with the fanfare before segueing into music composed specially for the given film. 2009's ''Star Trek'' broke with this tradition; instead, composer Michael Giacchino used the opening notes sparingly in the movie, but featured an arrangement of the theme in the film's end credits. All the ''Star Trek'' feature films to date use the fanfare at some point.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Theme from Star Trek」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.